Anna Caterina Antonacci
Anna Caterina has been recognized by the French Republic as being one of the most accomplished sopranos of the current generation. As a tribute to her success, she was awarded the 'Chevalier de l'Ordre National de la Legion d'honneur' (the highest distinction a person can achieve) from the French Republic. Era la Notte was her first album with Naive and received a lot of praise. The second album, L'Alba separa dilla luce of the ombra, on Wigmore Live featuring Tosti Ciela and Hahn with Donald Sulzen has been equally popular. Anna Caterina received the Accademici Effettivi award in 2020 by the elite panellists of the General Assembly of the Academicians of Santa Cecilia. Anna Caterina has performed the character of Madame de Croissy, in Poulenc's Dialogues des Carmelites at the Teatro dell'Opera di Roma in the 22/23 Season. In the coming season, Anna Caterina will perform the same role again on stage at the Bayerische Staatsoper. Anna Caterina Antonacci, an Italian soprano, is famous for her bel canto repertoire and Baroque. The main subject of her work was her role in the Rossini Canon. She has been a mezzo-soprano since a few years. Anna Caterina Antonacci is aged 62, and her height is not available at the moment. Anna Caterina Antonacci height, body weight and measurements will be updated shortly. She's currently single. She's not been with anyone. We don't have to know about her past relationship and engagements. Based on our Database The woman is a single mother. The value of her net worth is increasing fast in 2022-23. How much is Anna Caterina Antonacci, at an age of 62 is worth? Anna Caterina Antonacci earns most of her income through her success. Anna Caterina Antonacci is an Italian Soprano, who has appeared in bel canto, baroque as well as other repertories. She was for a long time a mezzo-soprano in the Rossini canon. Antonacci is a Bologna-trained singer who performed her Arezzo debut in the role of Rosina, in 1986. She was profiled at length by the New York Times in March 2012.






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